Sacred Grounds, Sacred Sounds:
A Journey through the History, Mystery,
and Music of Père Lachaise Cemetery
Meanwhile, on the stage below, the chamber ensemble bring the images to life with familiar and evocative melodies, original arrangements and adaptations of works by the many renowned musicians interred in Père Lachaise. The program features nearly twenty different selections of music, including the infectious "Can Can" by Jacques Offenbach, music by Carmen composer George Bizet, “Blue Moon” and other pieces played by esteemed jazz violinist Stephane Grapelli, classical quartet pieces by Cherubini, Rossini, Lalo, and Pleyel, and even chamber ensemble renditions of Edith Piaf's "La Vie En Rose" and Jim Morrison's "Light My Fire."
The performance itself is approximately an hour in length, introduced with a brief lecture by Melodic Vision's Director of Photography, Susan Wilson, who is also a popular and prolific author of histories of Boston and a local specialist on rural garden cemeteries. Those who study or delight in history will find themselves enlightened and entertained by this introductory talk.
Sacred Grounds, Sacred Sounds has been performed in numerous venues—from prestigious French and American libraries in Boston to Trinity Church/Wall Street in New York City, as well as in various concert halls and cemeteries—and as an integral part of various lecture series. This program is ideal for a broad spectrum of audiences, including those who enjoy or study both classical and contemporary music, and students and admirers of art, sculpture, photography, and nineteenth century rural garden cemeteries.
Those who hold a special place in their heart for France and Paris, who admire some of the many artistic geniuses interred in Père Lachaise, or who appreciate the tranquility and beauty of romantically landscaped cemeteries will also fall in love with the Sacred Grounds, Sacred Sounds program.
Additionally, this performance may provide an excellent educational opportunity for educators and their students in the fields of history, visual arts, French studies, and music. Most importantly, this program is ideal for anyone who desires to be transported, through sight and sound, to one of the most restful and bucolic spots in the world.
More About the History of Père Lachaise Cemetery
An "outdoor museum" of lavish monumental art, beloved by millions of Parisians and international visitors alike, Père Lachaise is the permanent home for more famous residents than any other cemetery. Founded in 1804 under the reign of Napoleon, it became the world's first “rural garden cemetery”—a model later copied by Mount Auburn in Cambridge, Forest Hills in Boston, Laurel Hill in Philadelphia, Green-Wood in Brooklyn, and hundreds of other cemeteries around the globe.
Unlike earlier burying grounds, Père Lachaise was based on romantic notions of the early nineteenth century—including the link between man and nature, death as eternal repose, and the Cult of the Ancestor—and featured beautifully landscaped gardens filled with memorial sculpture by some of France’s most gifted artists.
The Parisian cemetery became so prestigious that Victor Hugo observed, “To be buried in Pere Lachaise is like having mahogany furniture.” Among the broad array of humanity interred there were musicians and composers like Chopin, Rossini, Lalo, Bizet, Cherubini, Pleyel, Poulenc, Edith Piaf, Jim Morrison, Maria Callas, and Stephane Grappelli. A host of other notables—from Gertrude Stein and Alice B. Toklas, Oscar Wilde, and Sarah Bernhardt to Isadora Duncan, Abèlard and Heloise, Molière, and Delacroix—share the sacred grounds as well.
Click below to watch a sample from Sacred Grounds
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